In Service of Monsters
Gallery 1988 (West) in Los Angeles hosted In Service of Monsters, an art exhibit paying tribute to film director Guillermo del Toro and his amazing collection of dark fantasy and action films (Hellboy, Pan’s Labyrinth, and more). The monster-filled art show was curated by artist CHOGRIN and Gary Deocampo of the Deltoro Films fan site.
Dates & Addresses[edit]
September 11th - October 3rd 2015 Gallery 1988, 7308 Melrose Avenue, Los Angeles, CA 90046
The Artists[edit]
Aaron Klopp, Ale Martoz, Alina Chau, Allen Williams, Andrew Kolb, Andrew Stattmiller, Augie Pagan, Bill Robinson, Blain Hefner, Blake Armstrong, Bobby O'Herlihy, Brendon Flynn, Brianna Angelakis, Caitlin McCormack, Carisa Swenson, Carlos D'Anda, Charlie Immer, Chet Phillips, Chris Tugger, Cuyler Smith, Dan & Marina Joseph, Dave Wilkins, David Au, Doug LaRocca, Eren Unten, Eric Braddock, Eric Tengren, Gabi de la Merced, Gary Deocampo, Geoff Trapp, Godmachine, Grafficants, Guillaume Morellec, Hanna Jaeun, Hoang Tran, Jackie Huang, James Gilleard, James Groman, James Hance, Jamie Follis, Javier Jimenez, Jeffrey Evverett, Jeffro Kilpatrick, Jel Ena, Jesse Philips, Jessica Deahl, Joe DiDomenico, Joey Weiser, John Rozum, John Solimine, Jon Reinfurt, Jorge Alderete, Jorsh Pena, Joshua Gilbert, Julie Filipenko, Justin Gammon, Justin Gray, Kathleen Sanders, Kevin Stanton, Kim Herbst, Manuel Kilger, Mark Brown, Mark Chilcott, Mark Nagata, Matt Cavanaugh, Mik Baro, Mike Butkus, Mike Wohlberg, Miranda Dressler, Mizna Wada, Nate Bear, Nic Cowan, Nicole Bruckman, Norma Toraya, Oliver Akuin, Patch, Paul Romano, Raymond Chase, Rebecca Yanovskaya, Rhode Montijo, Rich Pellegrino, Robert Kraiza, Ryan Brinkerhoff, SalBa Combé, Sean Danconia, Sean Talamini, Shane Lewis, Steff Bomb, Steve Dressler, Tara Billinger, Tessa Morrison, Tim Wollwebber, Tomás Hijo, Tuna Bora, Veks Van Hillik, Victor Marin, Wesley Allsbrook, William Wray, Wilmer Murillo, Woodrow J Hinton III, Yosiell Lorenzo
Images[edit]
by Blain Hefner
by Jel Ena
by Mizna Wada
by Shane Lewis
by William Wray
